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亚洲精品久久久久久久久久吃药

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  • 莱斯利·卡伦 张祥玥 梁爱琪 
  • “Sangen Om Den El dr?da Blomm an” ( “S ong Of The Scarlet Flower ” ) was a recent and remark able sil ent surprise f or this Herr Von; the oeu vre is a n excel lent Herr Stiller si lent film that  this German co unt watched in  a newly restored an d tinted copy. It combines t he well -known ae sthetics, t echnical improv ements and  artistic merits for w hich the No rdic dir ector w as known and prai sed since t hose early silent times  till toda y. The film  tells of the merry an d caref ree love lif e of youn g Olof ( H err Lars Hanso n ) a woodsm an who  during his  search for true love, s educes man y frauleins ( just like t his German  aristocr at… wel l, not exact ly because the purpose o f this H err Von ’s seductio n of rich  fr?ulei n heires ses are their  great fo rtunes… ). He  will suffer di sappointment and deception , all thos e problem s that turn u p in any loving relations hip. Finally he will fi nd respo nsibility and maturity,  learning dur ing his p articular quest that hi s actions alway s have c onsequenc es in diff erent degrees  to the people a round him. Th is Herr Von can descr ibe “San gen Om…” as  a kind of comi ng of age film, the s pecial int rospective growth toward  maturity o f a free and  easy youngs ter. As th is German co unt said befor e, the fil m displays Stil ler’s ch aracteristic a rtistic v irtues. ; in t he first par t of the film, we c an see element s of com edy, n ot exactl y like t he comedy of in trigues in o ther Stiller f ilms, but humor of a mor e cheerful sort, hig hlighting the self-invo lvement of  our hero.  Olof ‘s  frivolous fli rtations wi th the d ifferent gir ls eventually t urn romantic an d then tu rn into dram a. There is co nflict in t he troubled rel ationship between Ol of and hi s father  and later with  the father of  his bel oved. The b eautiful a nd wild natural landscapes of Norr land and nor thern Sweden l end the t ale a certain power  and is charac teristic of He rr Stiller’s  other silen ts wher e Nature em erges as  an importa nt character  in the st ory. This  is stron gly reflect ed througho ut the film  but especiall y during the  frantic scene wh erein O lof descends i nto the t roubled wa ters of a river , a be autiful meta phor for the  hardship s that  our hero  has to end ure until he fi nds himself.  “Sangen Om Den  Eldr?da Blo mman” is an excellent, beauti ful film,  a solid , technically  perfect and int ricate prod uction o f 1919 that demonstrates  once again the  importance of H err Stiller for silent film hi story.

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