详细介绍：康沃尔渔村的风 景明信片田园诗误导了人们。虽 然过去钓鱼是一种养家糊 口的方式，但如今富有的伦敦游 客纷纷下山，取 代了当地人，当地人的生计 因此受到威胁。史蒂 文和马丁兄弟的关 系也很紧张。马丁是一个没有船的 渔夫，因为史蒂文开始用它 来为一整天的游客提 供更赚钱的旅游。他们卖掉了这 座家庭别墅，现 在看来，最后一场战斗是和新 主人在海边的停车位上展开。然而 ，情况很快就失 控了，而不仅仅 是因为车轮夹钳。 Bai t是一种黑白，手 工制作，16毫 米胶片制作的电影。许多关于鱼、 网、龙虾、长靴、绳结和渔篮 的特写镜头让人想起了蒙太奇景 点的理论。对不同社会 阶层的描述——可以说 是阶级关系——也让人想起 了英国电影中的社会现实主 义传统。然而，最重要的是， 在影像中不同层次的电 影历史参考文献之下，当前 许多政治关联正在等待被发现。 The picture-p ostcard idyl l of the Cornwal l fishing vi llage is misleading. Wh ile fis hing used to be a way of s upporting o neself, wealthy L ondon t ourists have now descended and are dis placing the locals, w hose livelihoo d is thus t hreatene d. The r elationship bet ween brothers Steven and Martin is also str ained. Martin is a fisherman without a bo at, since Ste ven start ed using it f or far mor e lucrati ve tours for al l the day-trip pers. They’ve sold the fam ily cot tage and now it seems tha t the final bat tle to be f ought is that with the new owners over the parki ng space next to th e sea. Ye t the s ituation soon gets o ut of hand, and not just because o f the wheel cl amp. Bait is a black-a nd-white fi lm shot on ha nd-proc essed 16mm. N umerous cl ose-ups of fish, nets, lobsters, wellington boo ts, knots and catch bas kets bring to mind the theory o f a montage of attraction s. The d epiction of t he differ ent social st rata – one co uld spe ak of class relatio ns – is also re miniscent o f the tradi tion of social realism in B ritish cinem a. Abov e all, how ever, a whole lot of curren t polit ical relev ance is waiting to be dis covered beneat h the d ifferent layer s of film histor ical ref erences c ontained in the image s.详情
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