详细介绍：The subt itle of J ean-Mari e Straub and Danièle Hui llet’s fir st feature , from 1965 , “Onl y Violence Help s Where Viole nce Reig ns, ” suggests the fierce political progr am evoked by th eir rig orous aestheti c. The pret ext of the fil m, set in Colo gne, is Heinrich B ?ll’s novel “ Billiards at H alf Past Nin e, ” whi ch they strip down to a handfu l of st ark events a nd film with a confront ational angula rity akin to B artók’s music that ado rns the soundtra ck. The subt lest of c ues accompany t he story’s com plex fl ashbacks. The mid dle-aged Robe rt F?hmel tel ls a young hot el bellhop of persecutions under the Third Rei ch; his elder ly father, Heinrich, an ar chitect famed for a local abbey, rec alls the m ilitarism of th e First Wo rld War, when his wi fe, Johanna, incurre d trouble for i nsulting the Kaiser. A th ird-gener ation F?hmel is consider ing architec ture, ju st as the exi led brother of Robert’s late wife, retu rns, o nly to be me t by the ir former torturer, n ow a We st German officia l taking part in a c elebratory parade of war vetera ns. Straub a nd Huil let mak e the la yers of his tory liv e in the pres ent tense , which t hey judge severel y. The tamped- down acting and the spare, tense v isual rhetoric suggest a s tate of moral crisis as we ll as the re sponse—as much in sty le as in su bstance— that it de mands.详情
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