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  • 张艺潇 贾法·帕纳西 张国梁 
  • This film is an extrem ely entertai ning psycholo gical thriller with Carrol Baker ex cellent as a rich Ame rican widow getting away fr om it all at a seclud ed Italian vil la. Enter sma rt aleck down o n his luck playboy, Lou C astel, who has some go lddigging motiv es behind hi s slick hi pster s eduction techniques and has no qualms abo ut how he gets what he wa nts. He enco urages Baker&a mp;#39;s char acter&# 39;s incipie nt alcoho lism and d ubious self-es teem, bri ngs in his s upposed &# 39;siste r' t o help drag B aker even fur ther into a m aze of si ck mind g ames, drug addiction and group s ex, all c ulminating in a descent into near-madn ess and self-dest ructive depravity. I won' t give away any more, suffice to say that the film deliver s on its swin ging sixtie s, Euro s leaze ambien ce and psyc hological suspe nse thriller credentials in spades. Director Um berto Le nzi& #39;s wor k has been, at be st, une ven and he&amp ;#39;s c hurned o ut his sha re of c rap. However, he made some q uite good giallo s and c rime pictures in the sixt ies and sev enties an d this is one of t hem (oth er good films by Lenzi -- S PASMO, SEVEN B LOODSTAINED ORCHIDS, A SSAULT WITH A DEADLY W EAPON, to name only a few). Unfortunately this film is ofen confus ed with another oka y but not- quite-as -good Len zi film tha t was a lso rel eased bri efly here in A merica unde r the same PAR ANOIA title (bu t is more c ommonly know n, especial ly on v ideo, as A Q UIET PLACE T O KILL).

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